The Magazine

Panelists seated at a table draped in red and orange woven textiles during a Sacred Path discussion, with international flags displayed behind them.

October 22, 2026

For Millennia, an Indigenous Route Has Linked the “Atlantic” To the Andes. Now, a Stone Stands in the Way: Political Polarization.

A dispute over the route of the Peabiru Way, an ancestral Indigenous path that crosses “South America,” has become entangled in the political polarization of Brazil.

A close-up of an Indigenous woman’s face with long, dark hair, lying down and looking directly at the camera under green and dark lighting. Photo credit: Kwêskosîw: She Whistles (2021)

October 9, 2026

How to Make Horror: Theo Cuthand’s Tips for Indigenous Filmmakers

For Indigenous filmmakers, horror can be a powerful space to tell stories on our own terms.

October 1, 2026

What Makes Indigenous Horror Different?

Our Founding Executive Director, Jen Deerinwater, kicks off this year’s Indigenous horror special in The Magazine with three recommendations and a look at why Indigenous storytelling matters in horror.

A digital illustration depicts the Kichwa celebration of Inti Raymi beneath a dark, moonlit sky. In the foreground, a woman wearing a white embroidered blouse, gold earrings and necklaces, red bracelets, and dark sunglasses plays a harmonica. Beside her stands a dancer wearing a vibrant purple ceremonial mask with yellow features, a long red tongue, and a colorful headdress, wrapped in a deep blue poncho with a long black braid draped over one shoulder. Soft ribbons of green and purple light swirl around the figures, suggesting movement, music, and spiritual energy. In the background, the silhouette of a mountain and tall grasses frame the scene, evoking the Andean landscape and the ceremonial atmosphere of Inti Raymi.

September 2, 2026

Intywan Punllayanchik: We Rise With the Sun

Inti Raymi honors the sun, the winter solstice, and the earth, celebrating the reciprocal relationship between people and the land

Winona Nelson, an Indigenous artist, carefully stitches beadwork onto an embroidery hoop while holding a needle and thread. Wearing glasses and concentrating on the piece, the artist works on a floral design that combines painted imagery with intricate beadwork, highlighting the precision and craftsmanship of the process.

September 2, 2026

Beading My Way Home

Beadwork, or beading, is a longstanding artistic tradition of the Ojibwe people, who call glass beads manidoominens, or little spirit berries.

A turquoise beaded belt featuring colorful geometric Kiowa-inspired designs and a rainbow-striped center is displayed on a white table. Below it are the artist registration form and a blue First Place ribbon from the Hunting Horse Kiowa Art Show, recognizing the belt in the Contemporary Style category.

September 2, 2026

Joy Tonepahhote: Carrying On the Kiowa Beadwork Tradition

A Crushing Colonialism interview with award-winning bead artist Joy Tonepahhote on continuing the beading tradition and preserving Kiowa culture

An elderly man sits in the living room of his home, dressed in traditional attire and surrounded by family heirlooms and decorative objects. On a wooden table in front of him are two pairs of handcrafted silver footwear—a pair of silver nagras and a pair of ornate silver wedding sandals—highlighting the enduring cultural significance of these traditional crafts. A glass display cabinet filled with ceramics and antiques stands behind him, while patterned cushions and floral curtains frame the warmly decorated room.

September 2, 2026

The Last Keepers of a Silver Legacy

Nagra, or chandi ke paposh, the Urdu term for silver footwear, is one of the most distinctive yet rapidly vanishing artisanal traditions in “Lucknow”

Indigenous Ulama player known as “Nu” stands barefoot on the bleachers beside a playing field, holding a heavy rubber ball. He wears traditional playing attire, including a protective hip wrap and loincloth, and looks directly at the camera as a chain-link fence and the Ulama field stretch out behind him.

September 2, 2026

Ullamaliztli: The Hip Ball Game Indigenous Sports as Refuge

For Indigenous peoples, games like ullamaliztli carry history, ceremony, and community traditions from one generation to the next

Connect With Us

Donate today to amplify Indigenous voices and News!

Help us in our mission to continue sharing the work of Indigenous storytellers, artists, and journalists.

Donate