David Godfrey
Our Founding Executive Director, Jen Deerinwater, kicks off this year’s Indigenous horror special in The Magazine with three recommendations and a look at why Indigenous storytelling matters in horror.
Inti Raymi honors the sun, the winter solstice, and the earth, celebrating the reciprocal relationship between people and the land
Beadwork, or beading, is a longstanding artistic tradition of the Ojibwe people, who call glass beads manidoominens, or little spirit berries.
A Crushing Colonialism interview with award-winning bead artist Joy Tonepahhote on continuing the beading tradition and preserving Kiowa culture
Nagra, or chandi ke paposh, the Urdu term for silver footwear, is one of the most distinctive yet rapidly vanishing artisanal traditions in “Lucknow”
For Indigenous peoples, games like ullamaliztli carry history, ceremony, and community traditions from one generation to the next
Naomi Lemunga tells the story of being born and raised in Maasai land on the plains beneath Mount Kilimanjaro in Northern Tanzania
Native Hawaiians show off their #LoleOKaLā for the annual Merrie Monarch Festival — a celebration of Hawaiian culture through hana noʻeau, mele, oli and hula.
There is a particular kind of violence that comes with being spoken of only in the past tense. For generations, Indigenous cultures across the “United States” and beyond have been described by outsiders as “vanishing,” deemed as artifacts to be salvaged before they disappear entirely.
Our organization’s Two-Spirit and Indigiqueer WorldPride programming has been recognized in a global report on Pride and LGBTQIA+ communities around the world by Outright International: “We Will Not Bow To Fear”: Pride Around the World in 2025.
2025 was a year of transformational growth for . Centering multiply-disabled, 2SLGBTQIA+, and global Indigenous communities remained our guiding principle.
Our work spanned print publications, international arts programming, press coverage, climate justice storytelling and beyond.