The Magazine
A dispute over access to “British Columbia’s Joffre Lakes Park” highlights how Indigenous land stewardship, cultural practices, and sovereignty clash with government control over protected areas.
Māori filmmaker Taratoa Stappard’s Mārama uses Gothic horror to confront colonialism, reclaim Indigenous identity, and bring authentic Māori stories to the screen.
Luiz Inácio Lula da Silva’s reelection as “Brazil’s” president marks a decisive moment for the future of Indigenous rights, territorial protection, and environmental policy in the Amazon.
A dispute over the route of the Peabiru Way, an ancestral Indigenous path that crosses “South America,” has become entangled in the political polarization of Brazil.
For Indigenous filmmakers, horror can be a powerful space to tell stories on our own terms.
Our Founding Executive Director, Jen Deerinwater, kicks off this year’s Indigenous horror special in The Magazine with three recommendations and a look at why Indigenous storytelling matters in horror.
Inti Raymi honors the sun, the winter solstice, and the earth, celebrating the reciprocal relationship between people and the land
Beadwork, or beading, is a longstanding artistic tradition of the Ojibwe people, who call glass beads manidoominens, or little spirit berries.
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