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Indigenous World Pride Planning Council
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Crushing Colonialism and a working planning council are creating multi-year programming that is by and for 2SLGBTQIA+ Indigenous people that meets that access, cultural, and safety needs of all of our relatives and non-Indigenous guests during World Pride 2025 on Piscataway lands (“Washington, D.C., U.S.”)

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Crushing Colonialism is currently seeking Planning Council members, in particular from the lands known as Australia, Asia, and the Arctic Polar region. If interested in serving please send a letter of interest and resume or CV to info@crushingcolonialism.org with the subject line: Interested in DBIWP Planning Council.

A picture of a smiling Native person in glasses with face tattoos and a button-up collared shirt is on a yellow background.

Theo Cuthand

Theo Cuthand was born in Regina, Saskatchewan, Canada in 1978, and grew up in Saskatoon. Since 1995 he has been making short experimental videos and films about sexuality, madness, Queer identity and love, and gender and Indigeneity, which have screened in festivals internationally. His work has also exhibited at galleries including the MOMA in NYC, The National Gallery in Ottawa, and The Walker Art Center in Minneapolis. He completed his BFA majoring in Film and Video at Emily Carr University of Art and Design in 2005, and his Masters of Arts in Media Production at Ryerson University in 2015. He has also written three feature screenplays and has performed at Live At The End Of The Century in Vancouver, Queer City Cinema’s Performatorium in Regina, and 7a*11d in Toronto. In 2017 he won the Hnatyshyn Foundation’s REVEAL Indigenous Art Award. He is a Whitney Biennial 2019 artist. He is of Plains Cree and Scots descent, a member of Little Pine First Nation, and currently resides in Toronto, Canada.

A Halpulaar / Lokono person wearing black sunglasses kneeling wearing black and white Fulani chayah trousers, a black top, a black jean jacket & black boots looking up at the camera. Rivolta is wearing a cowrie shell embedded in silver jewelry set with long brown braids.

Rivolta Sata

Rivolta Sata (Halpulaar and Lokono) is a multidisciplinary artist from Afriqiyah and Abya Yala creating a cultural dialogue using various forms of media to build awareness for minority communities with emphasis on Indigenous communities as knowledge holders on a global perspective. 

They focus on cultural preservation, eco- accountability and de-colonization in the mind spirit and body, taking a look at systems of change and ancestral memory as a form of dance and body movement for healing and grieving daily life, past transgressions and violence inflicted through centers of mis-education and our government systems. 

A picture of a singing Native person holding a mic in one hand with the other arm raised, wearing a loose silver and white long sleeve top open to the belly button and a matching headband.

Tony Enos

Hailed as “an example of possibility for people living with HIV,” by the Advocate Magazine, two-time Native American Music Award Nominee and Cherokee two-spirit musician Tony Enos celebrates 15 years as a singer/songwriter/producer/entertainer and activist. The Kennedy Center performer and United States U=U ambassador continues to foster love, unity, and awareness in all that he does. Empowering the resilience of the human spirit through the medicine of music. 

A person with long red, orange and pink hair with large blue glasses who is smiling wearing a black and green collared jacket. The background is grey with rainbow lights in the distance.

Mandy Henningham

Mandy Henningham (she/they) is an Aboriginal (Butchulla) queer sociologist of health, sexuality and gender at the University of Sydney. She has a strong history of advocacy and research in diverse sex, gender and sexualities and brings a multidisciplinary lens to empower marginalised voices, as well as being involved in projects regarding Indigenous Australians and cancer. They are currently involved in bi+ research and lived experiences of dual identities.