The Magazine

SOW. HOE. GROW.

Mr. Seun Opadare, a Yoruba man living in Ibadan, transformed part of his compound into a small garden. Using only what he had at home, he learned how to grow food for himself and his neighbors, building the garden from the ground up.  His garden is modest in size and wasn’t created through any program or external support. It is a daily practice that he maintains, guided by what he can cultivate with his own hands.  I started documenting him to understand how a simple daily practice can become a form of care that is steady and rooted in place.  

 His work began as a personal decision. He wanted food that stayed close to home rather than traveling through long distribution chains. He began by researching online and watching videos on how to plant and care for crops in a small space. Over time, he expanded his garden, experimenting with crops that could thrive despite changing weather. Now, he grows maize, leafy vegetables, okra, radishes, tomatoes, pineapples, sweet potatoes, bananas, and other plants suited to the rainfall and soil in his compound. People often ask if he studied agriculture, and he always replies no—his interest is driven by passion and the belief that anyone with space should grow what they can. As he explained during one of our conversations, “if we can grow some of what we eat at home, we reduce pressure on the market and depend less on long transport that affects the climate.” Observing shifts in rainfall and temperature, he sees gardening as a practical way to adapt to these changes.  

His decision is also rooted in how the Yoruba understand land. In Yoruba thought, land is inseparable from life—it is part of the household and what sustains a person. Food is not meant to be locked away; when the harvest comes, it should circulate. Accordingly, Mr. Seun Opadare believes that if food grows in front of you, those nearby should also have access to it. He does not treat his garden as a private supply. Instead, he shares fresh produce with his neighbors, without expecting anything in return. As he says, once hunger is removed from a man’s problem, most of the problem is solved. The movement of the harvest is part of its meaning, showing that the garden sustains both him and the surrounding community. 

Nigeria is facing rising food prices, unpredictable weather, and pressure on household economies. In such times, a small garden within a family compound might seem insignificant from the outside. But its meaning goes far beyond its size. The garden is a form of adaptation, reducing dependence on external systems that are not always reliable. It is also a way to maintain a sense of self-determination. Mr. Seun Opadare grows without chemicals and sees this as a matter of health and responsibility. Many assume resilience comes only from large-scale interventions or organized structures, yet Mr. Seun Opadare’s work demonstrates that everyday, steady practices are also acts of resilience. His garden keeps food close to home in a way that addresses both necessity and dignity.

Sow. Hoe. Grow. is centered on the way a person relates to land and how that relationship extends into the life of a community. It is a record of a home space turning into a living source of support and connection. It is a way of showing that resilience can grow quietly and still matter.  

A man in a blue checkered shirt, jeans, rubber boots, and gloves bends over while working the soil in a small garden plot with green plants growing in rows. A stone border and banana trees are visible in the background.

Mr. Seun Opadare began his home garden in early 2022 as a way to grow food close to home and reduce dependence on the market. He shares the harvest with the three neighbours who live in the same compound in Ibadan, Nigeria. Photo credit: Bukunmi Oyewole, July 20, 2022

A man in a blue checkered shirt leans over a garden bed, placing small seedlings into the soil with his hand. Gardening gloves, a tray of sprouts, and a knife lie nearby on the ground.

Mr. Seun Opadare plants seedlings in his home garden, part of the routine he began three years ago after noticing shifts in rainfall and food availability. He describes gardening as a practical way to adapt, saying “if we can grow some of what we eat at home, we reduce pressure on the market.” Photo credit: Bukunmi Oyewole, July 20, 2022

Mr. Seun Opadare stands in his home garden, which he has maintained as a steady personal practice. Visitors who pass through the compound often ask him questions, and he encourages them to try growing what they can in their own space. Photo credit: Bukunmi Oyewole, July 20, 2022

A man in a blue checkered shirt and jeans walks through a garden holding a tray of seedlings and a pair of red gloves. Plants, banana trees, and a watering can are visible around him, with a house and a parked car in the background.

Mr. Seun Opadare carries seedlings he has prepared for planting, a process he repeats across seasons as he tests which crops respond best to changing weather. He gardens organically and says “we grow organic so we can control what enters our food.” Photo credit: Bukunmi Oyewole, July 20, 2022

A man in a blue checkered shirt bends over while tending crops planted in old tyres inside a small home garden. Banana leaves fill the left side of the frame, and a concrete wall separates the garden from nearby houses, with clothes hanging on a line in the background.

Mr. Seun Opadare works on his home garden, in Ibadan, Nigeria. He shares the harvest with his neighbours, sometimes knocking on their doors or leaving it on their doorstep when they are not home. Photo credit: Bukunmi Oyewole, August 26, 2022

Sweet potatoes lie in a pile on the soil beside uprooted vines, while a man in a blue checkered shirt bends over working in the background. Two small plants are growing in old tyres nearby, and a concrete wall with hanging clothes is visible behind him.

Sweet potatoes harvested from Mr. Seun Opadare’s home garden in Ibadan, Nigeria, one of the crops he shares with the three neighbours in his compound. He believes food should move through the household and reach others, saying “once hunger is removed from a man’s problem, most of the problem is solved.” Photo credit: Bukunmi Oyewole, August 26, 2022

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About the Artist

Bukunmi Oyewole is a photographer whose art primarily spotlights present-day realities in Africa, offering a glimpse into the diverse landscapes, cultures, and stories of the continent. Through his lens, Bukunmi keeps creating a visual narrative that allows future generations to experience and appreciate Africa’s rich lifestyle, even from across the globe. Also, his work explores the themes that revolve around climate change, using his art to bring attention to climate change issues and to create awareness and engagement with the public about the impacts of climate change.